'Round about this time of year, all sorts of top ten (or whatever number) lists start coming out. Already
Dori is planning her best music of the year, as is
Andy. I usually try and send a couple songs Andy's way, hoping to make the compilation, though generally with limited success. Early this year, I tried to start a list (and a playlist on iTunes of the ones I got) of the new music I ran across so that, when the time came, I could make a meaningful contribution.
But soon after, circumstances conspired to cut me off from
IndieSF during the day and around that same time,
KCRW changed its lineup around and I wasn't really liking what they were playing during the times I was listening (which all may be changing again now that
Jason Bentley is taking over as music director). And so I started listening to
Pandora.
There's been a bit of a learning curve, figuring out how to really take advantage of how Pandora evaluates your preferences and recommends music, how to make selections to create more diversity there's a pattern at work that Liz clued me in to that affected how I defined my selections. It's still not the same as having a good DJ who will challenge you, and there's some odd, even bad, choices that it makes, but every so often it just nails it right on. Sometimes, it's been music that I even own that I'd forgotten about, and often some new stuff I'd never even heard of.
Thing is, it turns out that I don't really seem to like anything more recent than around 2005. Which will probably only surprise most of you only in that I made it that far.
So, my recommendations? I liked what I heard from
MGMT's
Oracular Spectacular, but not enough to seek out anything other what what I could find for free (legal) download.
Santogold's album one of two new CDs I bought this year, something I haven't done in ages is a wild, diverse treat that really plays better as individual tracks than as a whole. I got to listen to
Portishead's long-awaited
3, and really, the only song that sticks with me is "Machine Gun."
Moby released
Last Night (my other purchase for the year), it's kind of a concept album that attempts to distill a night's clubbing into one disc; I was a bit disappointed, but it is a decent listen, even if the mellowing out tracks run a bit long.
Does It Offend You Yeah offered some good songs, as did
M83. What I heard of the new
Thievery Corporation I liked, but hasn't compelled me to buy; for me,
The Mirror Conspiracy (probably a Desert Island Disc that, yes, predates 2005) sums up what they do best. Seems that
I should already own the new
Reckless Kelly, but I'll get around to buying it; I do enjoy
seeing them perform, but their studio albums tend not to grab me. Last year's demo of "I'm Not Gonna Teach Your Boyfriend How To Dance With You" by
Black Kids is, I think, inferior to this year's studio version, though what else I've heard off their album is catchy. And
The Ting Ting's "Shut Up And Let Me Go," despite getting overplay on an Apple commercial, is still just fun. In the "oldies" department, Pandora introduced me to
Ladytron,
Hybrid and the guilty, gothy pleasure that is
Lucia; reminded me how great Lush's
Split is; and showed me more of
Curve's catalog.
Mostly, it's been interesting to see how we've just gone to listening to streaming radio rather than albums. Last year, around this time, I burned all our CDs to iTunes, so all our music is in unorganized mess on the desktop computer in the office. With the
Airport Express (and
PandoraJam), anything that's on the computer can play on the living room stereo and/or the speakers in the office. Every so often, there's an album or artist we want to hear, or we just hit shuffle to take a random tour of the collection, but often we just find ourselves letting someone (or -thing, in Pandora's case) else choose the songs.
When our local public radio station
KSFR finally made their big transmitter switch, it increased their signal everywhere in the region except our neighborhood. Seriously, you get out to Alameda and it's fine, but in our house it's just static, so we listen to their stream. And every so often we do stream the ol'
WAMU, often Saturday afternoons for their talk lineup, and then in the evening for
Hot Jazz Saturday Night. We've
long enjoyed (in its various forms)
Indie, and were sorry to see them lose their spot on the air. But they've rallied and have a reliable stream and a terrific selection of music, and
The Independent Get Down is our soundtrack for New Comic Night. I still worry about their survival, though; we all know that the future of ______ is digital, and radio's no exception. But like everything else, I'm not sure anyone's making enough money off the Web to keep going so check them out and
drop them a line if you're listening, OK?
We do still occasionally tune into an actual radio station, getting our NPR fix from a couple Albuquerque-based public radio stations. And Wednesday nights, we try to listen to
Toast and Jam on
KBAC. We're not particularly fans of jam bands or anything, but our friend Chris (from
True Believers) is one of the hosts, and they always produce an entertaining couple hours.